Night Brood, 2024, Analogue Montage, 29,5 x 22,3 cm

Point of no return, 2024, Analogue Montage, 21,4 x 13 cm

Household Gods No 2, 2024, Analogue Montage, 26,2 x 16 cm

Green Man Head, 2023, Paper and card, 24 x 21 cm

Foliate Head, 2023, Paper and card, 22,2 x 13 cm

Feeder, 2022, Collage, 33.2  x  22.6 cm

Incubator: Mother of Invention, 2022, Collage in 3 parts, 50 x 113.5 cm

Something's Gotta Give, 2022, Collage in 2 sections, 42 x 60 cm

Onlooker. Blind Alley. Votive, 2022, Collage in 3 parts, 28 x 57 cm

Night Life, 2021, Collage, 38,4 x 54,6 cm

Humdrum Caba, 2020, Collage on paper, 50 x 70 cm

Operator No. 2, 2020, Collage on paper, 36,3 x 31,5 cm

Spare Us The Cutter, 2020, Collage on paper, 50 x 94 cm

Species of Notion, 2020, Collage on paper, 47 x 117,5 cm

A MODEST PROPOSAL, 2019, Collage of card and paper, 39 x 53 cm

First Flight, 2019, Screenprint, 64 x 62 cm, Limited Edition

Let‘s Talk About Art, 2019, Collage of paper and card, 49 x 39 cm

The Master of Ikebana, 2018, Collage on paper, 57 x 50 cm

DAWN OF A NEW AGE, 2015, Acrylic on Canvas, 121,9 x 152,4 cm

Fotos: ralf roszius

Der Schrank, Performance, 2012

Shaun Caton is a renowned British performance artist, painter, and collagist, who has created over 500 performances worldwide since the early 1980s. Once characterised by extreme duration (some performances have lasted 3 weeks) his work has slowly evolved over a 35 year period into a more homogenous, participatory spectacle. In June 2019 he presented 'il Giardino Grottesco' at the 58th Venice Biennale, in the Palazzo Pesaro Papafava. He often collaborates with people who have no direct experience of contemporary art, sometimes working with groups of school children, and randomly selected audience spectators or passers by, drawing them into a multi-layered, immersive, situation. Alongside his performances, Caton creates many highly original paintings and collages, that reflect the curious themes and images in his performances. He is influenced by non-western and outsider art, ancient and prehistoric cultures, urban archaeology, and psychogeography. Much of his work incorporates miniature objects and articles found on beaches and rivers. His paintings and drawings are often used as backdrops to his performances and some have measured up to 10m long, illuminated by ultra violet lighting (Espace Multi-Media Gantner, Bourogne, France 2014).